More Nomad-ness...

...throwing some more fuel on what has become a month of updates.

We have a client car coming together at a secret location (more info on that later on), and we thought we'd share some in-progress shots of the fabrication work as it gets into high gear. Check out the killer air intake, which will be fed by a scoop in the front of the hood, which mimics the emblem crest from the long-gone stock days...


What's been great with the project has been the dedication to keeping the final treatments in tune with the original designs. Working from full-scale drawings, Dennis has fabbed every inch true to the look, and his detail-minded work has ben nothing short of obsessive!

...roughing in the peaked and extended front pan...

Lots more to follow... just thought we'd sneak a peek for you

Some whipped cream and salsa

Salsa?!

I like looking at things from a decidedly different angle, and am often inspired to seek out the inspiration behind a trend, or a particular style... I'm a fan of mixing and matching themes, styles, whatever...and an even bigger fan of just having fun with whatever I'm doing, and often seek out things that reflect this attitude. Whether in friends, books, movies, or music. Occasionally, this leads me to seek out stuff that's a bit off the beaten path. Such was the case here in the studio once again.

Anyway, I got to thinking, of all things, about Herb Alpert (not Marv Albert. That'd be weird.), and gave a listen to "Whipped Cream and Other Delights"... A far cry from what I was listening to a week ago, to say the least.... and by far much stranger cover art (if not quite risque', considering its 1965 release date):

Granted, this album was released before my time, but man... how cool were these cats? If you're not familiar with the Tijuana Brass, here's a quick history lesson:

Herb Alpert was a trumpet player who developed a unique sound that was a mix of south-of-the-border, mariachi and distinctly lounge-y sounds, probably best described as "Ameriachi" (as I learned from a few sources). If you're really lost here, think of the theme from the TV show The Dating Game, called "Spanish Flea", which was a Herb Alpert/Tijuana Brass tune, and you'll have an idea... or their version of "The Lonely Bull".

Anyway, the 'Brass cranked out a few albums in the '60's (even a cool Christmas album! Find a copy, and mambo your way through a Christmas Wonderland...)until Alpert called it quits, and took his (and business partner Jerry Moss') record label A&M, and signed some heavy talent, releasing a few albums of his own along the way (out-selling Michael Jackson in the late-'70's! Says a lot for that era, I guess), before selling the company to PolyGram in the late 1980's.

So what's this got to do with cars? Think traditional lowriders. Bellflower custom style(named after the city in LA county where the look spawned). A mix of the lowrider and custom car, and you'll see where I'm headed.

Consider Watson's Caddy:

It is the embodiment of the Bellflower look... the low stance, simple (if often ANY) body mod's, the bold, yet somehow understated paint technique (much like his T-Bird that came before), and those killer pipes. The East LA style, mixing elements from two cultures (like the Tijuana Brass did!), and coming out the other end with a clean, cool style. It's all about class, luxury, and style. Just like a lowrider, but with custom roots.

Lowriders embodied Mexican tradition. Crusing in a decked-out ride to impress the ladies, and show off your skills was more than just about the cars. Cruising may be traced back to the "paseo", where singles would walk around in the central plaza of the village, basically checking one another out. The idea here was to impress. Put these kids in cars, and it sure looks a lot like cruising... Which brings us forward a few years to the end of the second world war. Hot rodding was booming as young men returned from military service, eager to make creative use of their new mechanical skills. On the other end of the spectrum, the Mexican immigrants were making their cars look luxurious. It was style over speed... lowered stance, different hubcaps, an accessories like spotlights, skirts, pipes... many items shared in traditional customizing.

Fast-forward a few more years, and combine this look with the growing custom scene, and well, you got some clean, mild cars that made the most of the new styling coming from the factory... Apply it to a luxury car, and you're well on your way to a crossover look beyond compare. Imagine in late 1957 (coincidentally, the same year Bellflower was incorporated as a city), a young Larry Watson crusing into the Clock Drive-In in his panel-painted T-Bird...

I have a soft spot for this look... A couple years back, I sketched up a modern take on the look, combining it with the pro-touring look -- note pinstripe whitewalls on a 5-spoke as a nod to the classsic "Supremes and pinners" look (OK, and a mild chop, extended quarters, relocated and shortened trim...):

The idea behind the Bellflower look is clean lines, cool, vibrant and rich colors mixed with just enough chrome to keep your eyes happy...Make use of some 'flake or pearl, some striping... In other words, think mild custom, but dressed a notch higher. It's a fun style, to be sure, much like Herb's band of session musicians belting out "Ameriachi" cover versions. Take one thing, and spice it up with another influence, and man, you can't help but feel the vibe, and nod your head approvingly as you smile.

And that's how my mind works: From whipped cream to salsa, stopping in between for some quick history, and leaving you to consider mixing up some styles on your project... More hot rod and custom car design talk as always at www.problemchildkustoms.com

Sick Seconds Starting to Look Good

...and getting closer to the street, literally and figuratively.

The gang at ProRides, along with a dedicated team of close friends have been working diligently to get the '69 Camaro completed and ready for its show car circuit tour and also testing on the track. It is currently in Steve's garage and the gang has been working on it every night after work. The goal is to finish the car in April and start testing... We are even thinking about driving it on a leg of the Power Tour to test the street driving of the Camaro. Not bad for a six-second capable ride...

Bowler Transmissions wants to have the car in their booth at some Goodguys shows in the coming year, and Denny will also be working with Goodguys on making exhibition runs at their Indy event. Feel free to let Denny know if the car is needed for anything else during the entire season, as we'd all love to see the car not only running on the street and track, but also acting as an ambassador for the hobby and industry as a whole.

The car should be going to paint at the beginning of February, and look for many more pics to follow. We truly cannot wait to share some finished shots of the car. And check out the mounting of the Chiseled Performance intercooler, Be Cool radiator, B&M tranny cooler, ProCharger, and that fuel tank in the front.....not much room left!

...and if you're not yet familiar with the project, here's the rendering...

...and you can see the first updates, like machining the block to save weight, and building the chassis right here on the site! Look for more updates soon!

Running Low 10's!

...OK, a PCK Studio sticker is running 10's. On a killer car.

However, the irony is that since that little piece of adhesive-backed vinyl goodness was slapped on the rear glass, Blake's Firebird has run quicker and quicker. Coincidence? Yeah, more likely than not. But an opportunity to post new video of the mighty Poncho from Tejas? Fantastically correct indeed...

Check out the latest video here (the 10-second run is at the end.... but it's fun to watch this monster tear off of the line a few times, too.

Blake's mighty 'bird has been a stand-out in the PCK Studio stable of good friends' rides, and you may recognize it from both the site here, as well as the feature in PHR, where at the time, the mad Poncho was laying down mid-10's. Bear in mind, this is a home-built car that is show-worthy (having scooped up multiple awards at the Houston Autorama and beyond), and what's even cooler is that Blake uses the car for what it was built to do: HAVE FUN.

More stories and hot rod and custom car design goodness at www.problemchildkustoms.com

East Coast Kustom Style...

Custom cars from the "right cost" here in America have always suffered from the stigma of being "un-cool", or at best, unattractive. There's always this opinion that seems to surface when talking cars (especially hot rods and customs from the "glory days" of the fifties and sixties) that East Coast customs and hot rods were "ugly" or lacked style. Granted, there are quite a few examples that support this claim, but, having grown up on the "right coast", I have always felt a need to defend that side of the hobby.

The magazines of the time chronicled what was immediately available to them, and that meant, for the most part, West Coast cars. The few East Coast cars that were seen seemed to have cemented a certain image in most car guys' heads... I'm not a fan of severely channeled coupes, but can appreciate the style and work that went into them, certainly. I'm also not a big fan of an overly-accessorized custom with giant skirts and a continental kit, but I do "get it". I think it's just got a lot to do with the times, the region, and the cultural differences. The East Coast has always been a bit grittier, relying on manufacturing, and with cooler weather, shorter summers and all, people just took a different approach to building, and making due with a smaller number of shops. Consider that there were much fewer shops, and that many skilled custom craftsmen went West (where the magazines and show coverage were), and you're left with but a few builders, and thus, less ability to really push the envelope.

I've been working on a project for some time, and recently kicked it into a higher gear... My goal is to document the East Coast style, and, at the same time, chronicle the builders and their cars, and hopefully, shed some light on the little-known history from the region. I am fortunate to have grown up with some of the people who were "there", and even call some friends. We have family friends that built customs and hot rods, raced in the region, and were, generally, part of the scene. As I compiled photos and stories, I was continually blown away by the variety of cars, the quality of the work, and the great stories that have been shared...

As it all comes together, I'll share more, but wanted to throw at least one quick look at what's going on in front of you.

Take a look at this home-built '50 Ford. This is the kind of stuff that gets me going... a family project, and definitely something we can all relate to:

Wayne's '50 Ford is a piece of Western New York custom history, and, in his words:

"Here are some shots of the car my Dad (William Carrig), my Mother (zelda), my four sisters and I built in his one-car garage in Kenmore, NY over a two year period beginning in 1964. This was my first car, bought it when I was 16 years old and my Dad who had a body shop at one point in his life fixed the body (it was a mess, rusted out floors, rocker panels, quarter panels, etc.).

We also customized it frenched headlights, shaved hood, truck, removed side chrome, sunken antenna, custom grille, hand built taillights.

Everything on this car was done on a strict budget as I had little money. Grille opening was formed from electrical conduit, sunken antenna and handbuilt taillights made from brass kitchen drain pipe, taillights were red truck clearance light lenses, upholstery including truck except for the back seal and convertible top were all done by my Mother, Dad and me. Front seats were from a 65 Mustang and my Dad fabricated floor mounts so they would fit. I used 57 Oldsmobile turn signals as they looked like Lucas lights and I sure as heck couldn't afford Lucas lights at the time! Grill was chromed metal mesh. It was flawless after many other hours of block sanding and my Dad put on many coats of Corvette Honduras Maroon Lacquer paint which looked a mile deep!! A true family project, my sisters helped and everyone in the family loved the car. Unfortunately I had to get rid of the car when I got drafted and joined the Air Force during the Vietnam era. I hated to do it but had no way to get the car from Buffalo, NY to San Antonio, TX. I did use the money from the sale of this car to purchase the Black 57 Chevy I purchased in TX and still have today. Even so....I still miss this car and would do about anything to have it back..."

It's just one of those stories that make our hobby's history so rich. There are a LOT of stories to be told yet, and I'm stoked to be compiling it all, and learning as I go.

If you're an East Coast hot rodder/custom car owner or fan, and would like to share some history with the project, hit me up! I'd be delighted to make your car or story a part of this project, and will work to ensure that all proper credit is given where due. hit me up (see site link below), and I'll get you the info you need to participate, and even throw a gift your way...

Thanks again to Wayne, and those who have shared already. I'll keep you updated as we progress...

More interesting Kustom Kulture for your brain on the site at www.problemchildkustoms.com .