Like it's 1999!

...and yeah, it's a little crazy, but so was this past year.

Starting today (12.30.09), you can order a single-view rendering (front 3/4, rear 3/4 or profile, whichever you like!) at prices we had in 1999! That's right, a single-view rendering of your hot rod, custom car, street machine, classic, daily driver, whatever for a discount! (pricing info is on our site at problemchildkustoms.com)  That's a fully-detailed, highest quality, 19x13-inch piece of art, ready to frame at HUGE savings...

These aren't some knocked-back, lesser quality versions.... These are the real deal, Studio PCK renderings as you've seen in the magazines and the Hot Rod Art Book. The very same detailed pieces we provide to the top shops when laying out a project car, or preparing artwork for promotional use and portraits as well!

All work is of the highest quality, and all renderings come delivered on superior quality stock, feature archival inks (8-color process with incredible depth and saturation), and are ready to frame. Naturally, all of this is subject to a limited-time offer, and full details are available on our site at www.problemchildkustoms.com

It's our way of saying "Thank You" for getting to do what we love every day, and saving you some cash on some great art. This is an incredible time to get that one-of-a-kind gift for someone special, and perhaps even knock out next years Christmas list for your hot rod building family member or enthusiast. Thanks again, and feel free to hit us up HERE, or give us a call in the Studio (contact info is HERE) with any questions, or to get the ball rolling on YOUR rendering. Happy New Year, and thanks again!

Peeking behind the scenes...

...with two guys who made it possible.

Consider a new DVD release of a feature film, especially one loaded with extras... Whether it's commentary form the director or writer, offering you some insight to the big "why" questions, or a peek at the cast, it's just cool to be a part of the action. Prior to DVD's (and their subsequent "special features"), seeking out those behind-the-scenes features required a little more effort. There were magazines, certainly, and the occasional "featurette" on TV, but in the earliest days, looking into the meat and potatoes required some serious digging, if not inside connections. It was much the same for custom cars and hot rods in the early days. Before there was Powerblock TV and Overhaulin', getting that in-progress glimpse of a build was a rarity, and required a trek to a local shop, or that rare tech article.

Enter two gentlemen who had a profound impact on their respective industries, as well as on me: Forrest J Ackerman and George Barris. Buckle your belts 'cuz we're going to mix and mash two seemingly different things once again, and hopefully leave you with some fresh insight... and don't worry, this one will be quick and painless!

About the time that George Barris was born (in the mid-1920's), Forrest J Ackerman was reading his first sci-fi tale in a copy of Amazing Stories. While Forry's interests were writing fiction and celebrating the genre and its writers, George and his bother Sam were customizing cars. Forrest was hanging with friends the likes of Ray Bradbury and Henry Kuttner, starting magazines like Futuria Fantasia (which would be a killer name for a bubbletop custom, mind you), The Barris boys were learning tricks of the trade from masters like Dick Bertolucci, and bolting together a slick '36 Ford which was used as a calling card, attracting paying customers. (Keeping with our "parallels" theme, at around this same time, George founded a car club named "Kustoms Car Club", reportedly the first use of "kustoms" with that "K"... Meanwhile, Forry and his friend Myrtle R. Douglas attended the first-ever World Science Fiction Convention, dressed in space suits, setting of a chain-reaction of future comic and Trek convention costumed attendees. Trendsetters indeed!) Add to the parallel that all three were in Los Angeles in these times, and, well, it just couldn't be any cooler had it been written that way. (oddly enough, Sam Barris and Forry Ackerman were both enlisted in WWII.)

Throughout the '40's and into the '50's, Barris continued building custom cars, and making a huge name in the industry, guiding it, in fact. It was during these years that George saw the potential in magazines, and was instrumental in documenting literally thousands of cars, and in the process virtually invented the modern "tech article". His photo essays in the popular car magazines of the time chronicled trends and techniques for customizers living outside of the California hotbed of activity, and offered that all-important "behind-the-scenes" insight, probably providing countless would-be customizers with some inspiration. Barris is often credited with inspiring many modern day customizers to practice their craft, and his efforts with his unique brand of Public Relations certainly has been a driving force behind the continuation of this industry into the twenty-first century.

Meanwhile, Ackerman was acting as a literary agent, representing hundreds of writers, and serving as "agent of record" for many more, ensuring that their work would be published in numerous anthologies, preserving the science fiction genre's past in not only written form, but providing an entirely new facet for the then-growing motion picture industry. Consider that his magazine Famous Monsters of Filmland exposed many aspiring special effects artists and film makers alike to those "behind-the-scenes" looks, and the parallels just grow stronger. It was these close looks at the men behind the special effects techniques that inspired such talents as Tim Burton, John Landis and Rick Baker, as well as countless other amateur home directors. Forrest truly created an industry that continues strong today, not only from the standpoint of the behind-the-scenes documentary, but for collectors of film memorabilia. He was also one of those rare "hands-on", approachable figures, leading tours of the "Ackermansion", his personal home and museum, packed to the rafters with his collection of movie props and memorabilia.

In this same way, George is a common figure at car shows and events, as well as still working from his shop. It's this accessibility that makes it all even more fun; having that opportunity to mix and mingle with the folks who not only "were THERE", but helped to preserve our hobbies for future generations. While we unfortunately lost Forrest J Ackerman in 2008, the next time you load that movie into your DVD player and pop open the "Special Features" menu, give a quick "thanks" to the ultimate fanboy, and feel free to share your knowledge of where it all began. And while you're at it, why not give a tip of the hat to George next time you're browsing those back issues at the swap meet. After all, chances are, many of the photos in that issue are courtesy of the "King of the Kustomizers".

Innovation, guest appearances and simple math...

...all combined in my head over the past couple of days. I had been in the studio almost non-stop this past week, trying to keep up, and finishing up some bigger projects, and as usual, began to ponder mysteries of life.

One topic that often entertains my gray matter is that of innovation. I enjoy looking back on instances where one single event or idea made enough of a ripple to change something. Consider skateboarding (not much of that happening with a knee like mine lately)... A simple trick like the Ollie took it from slalom and simple "sidewalk surfing" into a whole new universe. Arials, tricks previously unimagined... Hell, almost all extreme (board) sports can trace some lineage back to this simple trick (consider how surfing was transformed by the arial). Car-wise, consider Sam Barris chopping the first Merc...

...or better yet, his fastback Buick!

Style moved in a whole new direction! Lower, cleaner designs poured from Detroit following this most basic (yet complex) custom idea.

It's all simple math, really. Add where you must, subtract what must be removed for the sake of style, and, if you do your math carefully, you have a winner! Consider that there are an almost infinite number of equations to arrive at a solid design, and it boggles the mind. It all falls on vision, and carrying elements to the right places.

Speaking of innovations, simple math, etc... I listen to a lot of music in the Studio, and I enjoy a broad range of styles. A recent spinning of some classic R & B really got the brain firing on all cylinders. I began to think about guest appearances, and the blending of occasionally different, and sometimes similar elements, and how they can affect the final product, be it music, cars, or even food. Canned Heat recorded an album with the legendary John Lee Hooker, entitled Hooker n' Heat, as the band was getting back to their blues roots.

The album is almost, in essence, a John Lee Hooker album, with the Heat playing backup... But it works. In fact, it's something beyond a simple listening experience... it takes on a life of its own (namely in Wilson's unbelievable harmonica playing-- sadly, also his last appearance). The meshing of Canned Heat's loose, funky, boogie style, with Hooker's down and dirty demeanor make this not only a great listen, but inspiration!

Consider how, in most cases, a guest appearance by anyone (be it TV, music, or anything) is often watered-down. In the case at hand, Hooker just stomps his way in front, and stays there... It's pure "attitude music" if ever such a thing existed.

How does this apply to cars? Like any good design, it's in choosing the right ingredients, and using them to the right level... pulling the most from their potential. It's not about just bringing in the hottest "at-the-moment" thing (remember composite headlamps being installed on EVERYTHING in the '80's? There's a warning.), it's choosing some elements that may be, on the surface, anyway, entirely different... and finding some common ground or theme for them to work from. Looking at the raw material, and then seeking out an element, a slice of character in either a part or a modification that just makes visual "sense". Consider the use of Buick trim on a Merc. Just looks "right" somehow. A good idea that spawned countless clones. I suppose that my point is simply to hone your ability to discern what makes for good design, and to absorb those things that look (or sound!) "right"... and make sense of the WHY (why they look right, why it flows). In short, don't be afraid to kick the tail of your board, invite a different co-host (or opinion), or throw a few new numbers into the equation.

After all, when it comes to innovation or imitation, there's really only one way I'd like to go...

"Dooz" and donuts...

...and coffee, too.

Got into a great conversation with a friend recently over a few donuts and some coffee, and talk turned to historical cars that offer inspiration from a variety of standpoints.... and it tied in perfectly with what's going on in the automotive industry... especially with American companies folding. This kills me, as there seems to be absolutely NO RESPECT for the advances made by American car companies, or their impact on technology and the economy at large.

As you may already know, I have a deep fascination with all things Ferrari. The sheer elegance of design, combined with the amazing heritage and utter lust for performance that these machines elicit in one's mind... hell, one's soul, even, is the stuff of legend. Yet, surprisingly, for a guy who talks a lot, I've never touched on another great car to come from not Italy (although we'll touch on that later), but from right here in the US, the mighty Duesenberg.

How can one deny the sheer excitement of any of the company's offerings? Hell, even the history of the marque is filled with the stuff of legend. Two brothers, both self-taught engineers (think about it, isn't every hot rodder somewhat of a self-taught engineer?) set out to build sports cars. August and Fred built cars in the '20's that had features you might find on today's cars: four valves per cylinder, dual overhead cams, and even juice brakes!

Anyway, the history of the marque is readily available with some minimal research skills, so we won't waste time on chronology here. What interested me most about the Brothers Duesenberg, was their use of superchargers and other go-fast goodies that seems, well, kind of strange, given the years in question. We're talking cars in the late '20's that had 140 MPH capability! An American, coach-built car (hell, by the time a wealthy owner got done, these things weighed tons!) that could run 0-60 times in roughly eight seconds! Again, that's PRE-1930! If that's not engineering and hot rodding at its finest, well, grab some stronger coffee, sir, and wake up.

Moving along, an interesting point was brought up regarding the partnership of one Virgil Exner and Fritz Duesenberg (son of August) on the Stutz Bearcat.... here was the prime example of Chrysler design, working with the heir of the genius that was Duesenberg. Sadly, this was a doomed marque (but sure made creative use of domestic offerings from Delta 88's to Grand Prix's!) One begins to wonder what may have been, had this partnership been at a more opportune time. In a way, there's a lot of inspiration to be found in there.... the use of existing, perhaps not-so-inspirational cars to begin with, to create a coach-built car with performance, all while giving a nod to this golden age.

Sadly, we're at a point where the political agendas and underlying turmoil have destroyed the industry, and are stripping the historical significance of our storied past, and leaving with it a revised version, loaded with controversy. At it's most basic level, this is an industry that is dynamic, exciting and loaded with great stories of great men and innovation, and to not be inspired by any of it leaves one to consider anyone's dedication to it in a much brighter light.

We're in an age now (in the hot rodding hobby) where we have talented builders following on this original path, and creating incredible cars from almost nothing. While it's exciting to witness, it just seems altogether more interesting when compared to a historical reference point, and one draws out some inspiration from two brothers who simply wanted to build fast cars... Ahh, the good old days.